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[The
Gateroom] Can you tell us how you got the role
of Dr Robert Rothman, please?
[Jason Schombing] Peter Deluise is a very, very
good friend of mine, and his brother Michael is
one of my best friends. We’ve been friends for
many years, and we’ve worked and made little
independent films and other little things we’ve
done together. He lives in Vancouver, as I did,
and he was just talking about a role that was
coming up that he was trying to create for “Stargate”,
just another character, and he wanted me to play
it. So he created the character, asked me to do
it, and was honoured, and went and did it. I
think in the first episode, I was confused, as I
had only about 3 words. So after I had done it,
I pulled him aside and said “what the hell is
going on here? What kind of role is this?” He
said “don’t worry, it’s gonna get better – I
just wanted them to see you.” So I made him a
little funny, even with the three words, and
that won the producers over, and they made
another episode with me. But then they killed
me.
[TG] Were you disappointed that his role was
only spread over three episodes?
[JS] You know, I was a little disappointed – I
was having a blast. I really was having fun with
the cast, and the crew especially. But I totally
understood them making the least likely person
the bad guy in that particular episode. What I
couldn’t understand, however, was that because
it took place in the future, and there was such
a thing as a Stargate, you’d think that I might
be able to come back in some fashion! It’s been
wonderful having the success of these
conventions for such a small part, so, in a way,
I have come back!
[TG] What attracted you to the role in the first
place?
[JS] He (Peter Deluise) said he would fashion it
after me in a way – a bit of a neurotic Jew!
That sounded like fun – to be able to do what I
do normally, without really even having to act!
It was great, to basically have fun on set with
the guys.
[TG] Was there anything in particular that you
hated about Rothman?
[JS] No. As an actor, you’re doomed if you hate
anything in your character. If you don’t like
him, nobody’s gonna like you, because they just
sense it. So you have to find, even if you’re
playing the role of a paedophile, you have to
find a way.
[TG] How much like Robert Rothman are you?
[JS] On some levels, personality wise, I’d say
about 50% of that is Robert Rothman, and the
rest is like an extended version of me for
laughs, to really play into the neurosis, which
I don’t feel I have, all that much. Also the
educational part – it’s none! I didn’t graduate
high school. So the fact that he was a scientist
– archaeologist – kinda made it fun for me to
play around with rocks and stones and make
believe I actually knew what I was doing!
[TG] So you basically caricatured yourself?
[JS] Yeah, in that role I did. I had a lot of
fun doing that role. Peter (Deluise) and Richard
(Dean Anderson) bring a lot of humour to the
show, and so that allowed me to be funny with
the role, which made it more interesting to me.
[TG] What was your reaction when you were told
that Rothman would be taken as a host?
[JS] I didn’t understand what a host was,
personally, not having watched the show before
that. So I didn’t know what it meant. He (Peter
Deluise) said “Jay, we’ve got good news and bad
news. The good news is that you’ve got a HUGE
episode coming up.” I said “oh, that’s
fantastic!” Peter replies with “but the bad new
is that we’re killing you off.” So it was mixed
emotions.
[TG] How was it to play the “other”
archaeologist on “Stargate: SG-1”?
[JS] I never watched the show, although I knew
the guys from the bars in town, but I didn’t
know them as their characters because I didn’t
watch “Stargate”. I didn’t know WHERE I’d fit
in. I thought maybe they were all
archaeologists, I just wasn’t sure. I became a
fan of the show after I was on it, and I have
watched it and followed it since. It is actually
hard to watch a show when you hang out with the
actors in real life. Hanging out in a bar with
Teal’c – Chris Judge – is a little weird. It’s a
little different to hanging out with him on the
set with that Mercedes emblem on his head! You
wanna talk about completely opposite to his
character? My god!
[TG] Would you ever think about auditioning for
a role in “Stargate: Atlantis”?
[JS] Absolutely! I haven’t spoken to Peter in a
while, and I know he has a lot to do with the
show, but I would love to. I’m going back up
there, actually, moving back up to Canada on May
1st, so that might be something that might
happen. I don’t hear anything in the works about
it, but absolutely, I would love to. I love to
work, so it’s all good.
[TG] If they found a way of bringing Rothman
back, would you be interested in that?
[JS] Absolutely.
[TG] Obviously, the way things are going with
“Stargate” at the moment, with the time travel
puddle jumper, it’s a possibility.
[JS] It’s only if it’s in the minds of the
producers minds, do they even remember? Do they
go back and look at characters again? It’s not
like I see these people that often. It seems
like I hear a lot about it with the fans,
though.
[TG] I’ve noticed it’s come up a few times on
various fan forums.
[JS] I noticed! And I thought “I wonder if the
producers ever check in on these things?” It
would be fun to come back, but it’s not my place
to bring it up.
[TG] You’ve appeared in many sci-fi shows,
ranging from “X-Files” to “Mutant X”. If you
could have a permanent role in any of the sci-fi
shows you have appeared in, which would it be,
and why?
[JS] Obviously, not any more, but back in the
day, “X-Files” because of the high profile. The
calibre of actors you work with, and the scripts
– it’s just a different level. “Mutant X”, I
have to say, is the character I would love to
play on one of the shows all the time. “Mutant
X” was similar to Rothman, but very, very
desperate and more personal. That character had
a bit of neurosis, but lived more in his own
little world, his own little bubble than Rothman
– he was a more elaborate personality to play,
and a lot more fun. I’d like to play the
character from “Mutant X” on “X-Files”!
[TG] You played Atwood in “Timecop”. If, in the
near future, if time travel were a reality,
would you be willing or interested in doing what
your character tried to do?
[JS] Oh, god no! It lifted an eyebrow only
because I knew you couldn’t do it. I’m a big
pussy – I wouldn’t be able to do it. I probably
wouldn’t be able to go back in time. I’d
probably be too afraid to step into that thing!
But no, I would never want to steal, or change
the course of time, or have anything to do with
changing anyone else’s life. For a Jean Claude
Van Damme movie, it’s really good one. It had a
couple of loopholes in it, but it was a fun
movie to make. The role was really fun, and it
was my first experience in a very high budget
movie – doing once scene over three weeks!
[TG] What did you think when you found out that
the character you were playing in “Timecop” was
a former TEC agent turned renegade?
[JS] I loved it, because the more levels a
character has, the more fun it is to play for
me. If he’s a bad guy, and I can make him seem
endearing, then there’s an arc there that really
is enjoyable. To make you like the bad guy is
what I try to do, and If you’re convinced by it,
then I’ve pulled it off, and it’s exciting. In
other similar roles I’ve tried to play, I’ll add
humour to a character you’re not supposed to
like, so you’re forced to like him. As I said
before, crazy people don’t think they’re crazy.
The person playing the role has to take it on as
if he’s really that person. And if you’re really
that person, you think you’re doing it for the
right reasons. And Atwood in “Timecop” was doing
it for his family. He had a hustler streak in
him. He was really doing it for his family, and
he had no choice. But he was kind of enjoying
it, which was wrong.
[TG] What was the most interesting role
you’ve ever played?
[JS] They’re all pieces of a wonderful time, you
know? A fun one I played was an Italian
immigrant on a TV series called “Early Edition”.
I had to do an accent, he was very vulnerable,
and he was in love… Very different from the bad
guys, so that was challenging, and also fun, and
was also in Chicago, which was cool. But off the
top of my head, I can’t even think of a role.
It’s like the Academy Awards – how do you give
one award away for so many amazing performances?
I couldn’t even think off the top of my head who
my favourite actor is – there’s so many.
[TG] You’ve acted in a wide number of different
genres throughout your career. Is there a
particular genre that appeals to you, and, if
so, why?
[JS] The genres that appeal to me are the ones
that I DON’T play, really. Relationship pieces
that I don’t ever play. I play a lot of
characters that feed the audience with
information, and I try to make them fun, or I
play the bad guy – the stereotypical roles. The
ones that excite me are the ones that are not
stereotypical, like just sitting on a street
corner with a buddy, talking about some insane
relationship I’m having, or you know,
relationship stuff that you have to talk about
in everyday life, and only stars get to do it in
the movies! Those would be the roles that I
would love to definitely take on, and to play
with the simplicity of playing with those
feelings. Otherwise, comedy is a genre I love.
But not straight out comedy, like a sitcom, more
like adding humour to (a situation). Very heavy
stuff is a little TOO heavy for me sometimes,
but I’d LOVE to do a love scene! I’ve never done
a love scene. What’s even weirder is that my mom
wants to see me in a love scene! I’m like, “ma,
what are you talking about?” And she’s like “but
son, you’re handsome, and I’d love to see you in
that thing…” She’s a soap opera buff. But that’s
another one I won’t do, I won’t get.
[TG] Having written “Stag” in 1997, how would
you compare writing to acting?
[JS] I don’t enjoy it as much! I don’t even
enjoy acting as much as I enjoy directing,
believe it or not! I’m a multi-tasker, and I can
do thirty things better than I can do one thing,
and sitting in front of a computer, writing, was
hard. It’s hard, because I get bored, and I want
to move around. I’m dyslexic, and I’ve got ADD,
and all those other things that actors are, and
I can’t focus, and I’ll forget what the hell I
was thinking about. I’ll go “oh, screw this”,
and I’ll wanna go out and play! It’s the same
with acting – when they say “action”, I’m having
a ball, but when I’m waiting around, I’m bored
with sitting in that trailer waiting. I mean,
they can’t even find me sometimes – they give me
walkie-talkies so they can call me, because I’m
always with the crew, or where they’re building
a set, or where they’re making some kind of
special effects. I’m never around! And with
directing - directing I can do! Twenty or thirty
things to delegate and create at the same time,
and then put it all together. I remember, when
directing the very few things I’ve directed,
feeling so alive at the time. There’s a short
film I made, called “Method Or Madness”, which
got into a couple of festivals, but didn’t win
any awards, but I remember making that, shooting
it in five days, and I didn’t sleep at night!
And I didn’t sleep, not because I couldn’t, but
because I was just excited! That’s something I’m
trying to open those doors up to do myself now.
Not in television, but in films. It’s hard.
[TG] You produced “Prey Of Innocence” in 1994.
What kind of experience was that?
[JS] That was also directed by Michael Deluise.
I was actually in it as well, so it wasn’t just
a producing hat. And I didn’t like producing,
either! Producing is a job that’s needed,
obviously, but it’s not a job I can do. It’s too
much begging! It’s not creative, except in the
way of seeing how cheap can I get that bench
for? It’s not fun, and you’ve gotta have a head
for that, So that was a little crazy. The role I
played was really fun, with Michael, but what
made that whole experience really insane for me
was that I was doing a movie in Japan at the
time, called “Three Ninjas: Kickback”, and I had
to fly 13 hours back in the middle of the shoot,
because I didn’t want to let Michael down. I had
to work, but I was producing, from Japan, this
little independent short film in LA. SO it was
crazy. I had to come back, and I couldn’t sleep,
and I was tired, and I had to play the role. I
would never wanna take on producing anyway! That
wasn’t a lot of fun!
[TG] Is there any particular role on TV or in
the movies at the moment that you would
absolutely love to play?
[JS] No. I never look at another actor’s role
and think “I wanna play that role”. But shows –
“24” is an exciting show to be on – I would love
to be on (“24”), and “West Wing”. Those shows
just look amazing, especially “West Wing”. The
acting and the writing is just - the words
coming out of their mouths are written so well
that all you can do it create. You’re not stuck
on trying to say words that don’t make sense to
you. So I guess those are shows I would like to
be in.
[TG] As well as an accomplished actor, you are
also a talented photographer. What inspires you
with regards to your photographs?
[JS] My fiancée says I’m very physical, very
visual. So I look around a lot, I see things
from the eyes, which is part of the directing
thing I want to break into more. I think, being
on sets, I used to watch, I used to look through
the lens, and see what they see – the closing
off of the frame, closing everything else out,
creating a little world within that box. That
excited me. Knowing I could do it myself with a
hand-held camera, it’s my own personal thing, my
own personal world I can go into, almost like in
a Zen way – relax, and do photography. With
Photoshop now, you can play around with photos,
and that’s exciting for me. Even when I was a
kid, my parents have told me – I don’t remember
– but when I was a kid, I went to photography
class at camp, but I don’t remember a lot of it!
My brother in law is also a photographer, and I
remember dabbling in it with him, but mostly, I
think it’s just being surrounded by it, and
being very visual.
[TG] Do you admire any photographers in
particular?
[JS] No, I haven’t done a lot of research at
that end, in studying who’s who. I pick up
certain books, and admire a LOT of
photographers, but I wouldn’t be able to put
names to them.
[TG] It’s more a style thing?
[JS] Yeah. You go into photography shops and
pick up certain books, and you go “oh my god,
these shots are amazing”, and you look at the
name, but I’ll picture the shot in my head for a
long time. I can remember shots now that I
loved, but I’ll never be able to remember the
name of the photographer. I have certain
coffee-table books of photographers that I love
– I just can’t think of their names!
[TG] When you take your photographs, what are
you aiming for? Is it a real life presentation
of what the eye can see, or are you aiming to
convey an emotion across to the viewer?
[JS] It’s very personal – I don’t really do
either. I see something, I frame it with my
eyes, and then I frame it with my hands, and
then I’ll pick the camera up. I’ll either see it
or I won’t. Honestly, I’ve got maybe a thousand
amazing shots, but I’ve got ten thousand
terrible shots! You just shoot – it’s just the
freedom of shooting. It’s not a cheap hobby,
that’s for sure – you can just click away, and
you’re not sure what you’re gonna get. There’s
an amazing photographer in New York who’s a cab
driver. His stuff is shown everywhere. He takes
the camera without looking through the lens. He
just takes pictures of people walking, sometimes
through the cab window, sometimes in the mirror,
but he’s becoming famous through this. His shots
are amazing, and just beautifully taken. But I
gotta believe he’s thrown a ton out! But it’s a
very weird thing, a very weird art, using your
body, I think, as part of the art, by using your
arms, and everything, just to get ready to take
the shot. You get this fluid rhythm, and then
you take the shot, and it’s done, and you’re
moving onto the next. Later on, you get to enjoy
them, and look through them, and say “oh my god,
look at that!” Some shots are planned. I’d like
to stage – I haven’t done that yet in
photography, staging some really fun scenes, and
getting some really cool shots that way. There’s
another photographer who did photos like that –
set up models and created the mood. So much time
left to do SO many things!
[TG] Aside from acting and photography, what are
your other interests, your other passions?
[JS] Writing, photography, film-making. That’s
one of my passions, and I’d love to open that
door up, but it’s so hard. My passions… my
hobbies? Snowboarding, time with my family, good
food, laughing – all those things.
[TG] You mentioned that you do the conventions
circuit a lot.
[JS] Well, not a lot, I think I did it once! But
I’ve been asked to do more. Ah no, I did it
twice, but there’s some coming up. I haven’t
heard from this gentleman in a while, but we had
discussed me coming to England in May. I’m
supposedly gonna be at that, but I haven’t heard
to finalise anything. We did a semi-contract
earlier in the year, and then there’s supposed
to be one following that in Germany, so I’d be
coming out for like, three weeks to do that one
and then the one after that. I’ve never been to
Europe, so that’s why it really sounded
exciting. Visit two cities, and have a week off
in between! Some fans wrote to me, and, although
I can’t get back to everybody all the time, I
wrote back, and said I might be coming to the
Children of the Gods Convention, and I hope I do
for the fans, as well as to experience Europe.
Nothing for these events ever gets finalised,
though – I think they call you up the night
before, and go “you coming tomorrow?” There’s
one in Vancouver coming up. But it’s not
“Stargate” any more – now it’s a sci-fi
convention. They changed it because of problems
with something.
[TG] Thank you very much!
[JS] My pleasure! And happy Easter!
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